Radio silence james blake
"I imagine it's pretty similar to what it's like for Jameela with me. You're working on the track constantly and everybody in the house has to just grin and bear it essentially. "If you're making music, you're playing it a lot. I think he released it when I was about 13 or 14," Blake explains. "He wrote a song called 'Where To Turn' when I was about 10. The song is a cover, the original written by James Litherland, Blake's dad. In a lot of ways, 'A Wilhelm Scream', from Blake's 2011 debut album, was the soundtrack to his childhood. I didn't care what it was, I just wanted to sing with him." 'The Wilhelm Scream' "He's got that thing, performance wise, so I just wanted to sing with him. "It's him, Nina Simone, Joni, Thom Yorke.
![radio silence james blake radio silence james blake](https://images.genius.com/2d852b42d9d179c2a6e39400bab5cdf2.997x997x1.png)
"Moses is one of my favourite performers of all time," Blake gushes.
![radio silence james blake radio silence james blake](https://www.rarenorm.com/wp-content/uploads/2016/04/james-blake-new-radio-silence-song-timeless-0-768x512.jpg)
I wish more people were like that."Īnother recent collaborator that Blake was overjoyed to work alongside was … singer Moses Sumney. He just hears the music and if he likes it, he'll rap on it or sing on it. He doesn't go with what the best career or best industry move would be. I gave him the concept and I think he really related to it. I think he was just in the mood to do it. "He's done a lot of features in the last few years, not so much solo stuff. "I was already working with him," Blake says. The Outkast founder's moment on 'Where's The Catch' from Blake's latest record Assume Form is a major highlight of an excellent album. But, you know, you can't always have Andre 3000 on your record." "I mean, obviously, most things I write I think, 'Andre will work on this'. 'Oh Andre will work on this, or Rosalía will work on this.' "I will approach someone based on how feels," he says. He sent this beautiful verse back and I was just really grateful.īlake doesn't write with a collaborator in mind, he usually gets a feeling for who will fit best with the song. It was very much my first introduction to hip hop featuring. 'Hey, can you do a verse? Here's some money'. "RZA was email," he says of enlisting the Wu-Tang Clan mastermind for 'Take A Fall For Me' from 2013's Overgrown album. "I went to I went to Brian in London," he says of working with royalty on It's just one of many great collaborations James Blake has had a hand in over the years. Despite what I just said, I bloody love that song. "And then we just kind of made this song. "It was me playing him a beat, and him singing the hook, and then me doing a verse," he says. The writing process was an organic experience. The song is some kind of 2010s indie wet dream, with Blake teamed up with Justin Vernon of Bon Iver. Or playing in Australia, where that's really common. But there have been times when I've been playing in LA and they've just had huge fucking forest fires that killed hundreds of people. I'm sure 99 percent of people probably don't think about that. I mean, I can acknowledge that there's a metaphor going on. "The lyric is beautiful – I didn't actually write it – but, yeah, I do sometimes think if I played that it would be a bit insensitive. "Because there really are forest fires and people really do get killed and stuff. "I feel very guilty about that track now," Blake admits. Maybe just, like, talk to people and be a normal person. "To me the best balance is having the conversation and writing a song about it.
#RADIO SILENCE JAMES BLAKE HOW TO#
"It's just at the time I didn't know how to have the conversation.
![radio silence james blake radio silence james blake](https://deerwaves.com/wp-content/uploads/2015/01/6a01116901308f970c01538e7c422f970b-800wi.jpg)
"I tend to write the songs as well as have the conversation now," he says. He's more willing to talk openly about his feelings with those that he loves.īut an artist will always draw from their emotional well when they need to. Kind of to say, 'There's nothing I can do about it'."īlake is less inclined to use songs as a crutch for his emotions nowadays. "So, I wrote about that feeling of wanting to feel something but you're not. It comes with a lot of guilt, and I just couldn't help it. "In a relationship, that can be quite a jarring realisation. "I think it's when I realised I wasn't necessarily as in love as I thought I was," Blake says of this highlight from his 2016 album The Colour In Everything.